How My Journey as a Historian Influences My Consulting
Hi, Dr. Barbara Here. Get To Know Me A Bit Better...
When I was at university, they said, “Your writing needs to be more academic.”
Instead, I leaned into my natural storytelling style, crafting narratives that captivated readers. (I even wrote a 400-page dissertation on storytelling in museums, assessing how engaging texts and carefully crafted displays made the past come alive.)
When they encouraged me to stick to one period of history, I felt constrained by the suggestion.
Instead, I immersed myself in different eras, exploring everything from ancient Rome to 20th century Europe. I found pleasure in discovering the unique details of each period. Over the last 15 years I've travelled all over Europe, Japan and the UK, visiting over 1,000 museums and historic sites from all eras.
When they said online sources were all I needed, I wasn’t satisfied.
Instead, I travelled across Europe, visiting castles, museums, archaeological sites, historical prisons and concentration camps. I knew that to fully understand history, I had to experience these places firsthand, absorbing the stories they held within their walls.
When they told me research was a slow, methodical process, I decided to find a faster way.
Instead, I honed my speed-reading skills, learning to digest entire books in a fraction of the time without losing depth or comprehension. This allowed me to dive into vast amounts of material—pulling out the gems quickly and efficiently.
When they advised me to rely on established historical texts, I wanted more.
Instead, I dug into rare original sources—letters, diaries and pamphlets—uncovering voices and perspectives often overlooked by traditional research. These hidden stories added layers of complexity and richness to the characters and settings I helped develop.
When they said history was just about sticking to facts, I saw an opportunity.
Instead, I wove those facts into narratives that brought historical figures and events to life. I didn’t just aim for accuracy; I aimed to make history feel personal, emotional and relatable for modern audiences.
When they told me historical consulting was a niche, I saw a world of possibilities.
Instead, I expanded my expertise across over 130 creative projects, working on scripts, books and films that spanned centuries and continents. My range became my strength, allowing me to consult on a variety of time periods and settings.
When they suggested archives were enough, I knew there was more to uncover.
Instead, I reached out to eyewitnesses and experts, and dived into uncharted digital databases.
My aim was always to go beyond what was easy to find and discover the rare, invaluable pieces of history that could truly transform a project.
When they emphasised the importance of dates and timelines, I knew it wasn’t the full story.
Instead, I delved into the emotions, conflicts and backstories that drove historical figures. It’s not just about knowing when something happened, but understanding why it mattered and how it shaped the people who lived through it.
When they pushed me toward a career in academia, I realised my calling lay elsewhere.
Instead, I founded The Research Ruckus, a service dedicated to helping creatives bring authentic historical depth to their work. I wanted to bridge the gap between historical accuracy and compelling storytelling for actors, writers and filmmakers.
When they suggested I focus on academic publications, I knew my work belonged on the screen and in novels.
Instead, I partnered with filmmakers, scriptwriters and novelists, working alongside them to create authentic, engaging worlds where history wasn’t just a backdrop but a driving force in the story.
When they said I should choose just one era to specialise in, I felt it would limit my potential.
Instead, I became an expert in periods from 50 AD to 1990, mastering how to apply historical research across a wide range of creative projects. I truly enjoy accompanying actors and novelists from one project to the next; so they don’t have to search for another expert each time. Instead, we can collaborate continuously, building on our work together throughout multiple projects.
When they suggested history was confined to the past, I saw its impact on the present.
Instead, I used historical knowledge to shape modern narratives, helping creatives tell stories that resonate deeply with today’s audiences by understanding the human experiences behind historical events.
When they expected me to work within established conventions, I found ways to push boundaries.
Instead of following a traditional path, I developed innovative ways to blend history with creativity, ensuring that every project I worked on was historically accurate and emotionally engaging.
If this resonates with you, then read along.
I’ll keep publishing this:
more about my research collaborations with novelists and filmmakers,
and helpful checklists that you can use for your own creative projects.
~ Barbara